The Concerts
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Concert 1
An American Portrait
Saturday, October 4 — 8:00 p.m. Soreng Theater
Sunday, October 5 — 2:30 p.m. Beall Hall
Our celebration of American music begins with Samuel Barber’s
dreamlike Knoxville: Summer of 1915, brought to life by exceptional
young soprano Jennifer Forni. The lyric mood continues in John
Corigliano’s Voyage. The influence of jazz and other popular
American idioms can be heard in Bernstein’s Three Dance Episodes
and Milhaud’s visually exciting Percussion Concerto, the latter featuring OMP’s
W. Sean Wagoner. John Frohnmayer, former chairman of the
National Endowment for the Arts, gives powerful voice to Lincoln’s
words in Copland’s A Lincoln Portrait.
Glen Cortese, conductor
Jennifer Forni, soprano
John
Frohnmayer, narrator
Jill Pauls, flute
W. Sean
Wagoner, percussion
Barber: Knoxville: Summer of 1915
Corigliano: “Voyage” for Flute and String Orchestra
Bernstein: Three Dance Episodes from
“On the Town”
Milhaud: Percussion Concerto
Copland: A Lincoln Portrait
Program notes
View the Concert Poster.
Concert sponsor
David and Lynn Frohnmayer
John Frohnmayer sponsor David and Sherrie Kammerer
Concert 2
Love and Marriage
Saturday, November 1 — 8:00 p.m. Soreng Theater
Sunday, November 2 — 2:30 p.m. Soreng Theater
A thread of romance runs through this program. Rodrigo’s Four
Madrigals of Love sparkle in the hands of Eugene soprano Laura
Decher Wayte. Internationally celebrated pianist Anne-Marie
McDermott joins us in Mozart’s 20th piano concerto, where for
the first time there is a “marriage of equals” between soloist
and
orchestra. Beethoven’s cheerful eighth symphony was written the
same year as the composer penned his “immortal beloved” letter
to an unknown love.
Glen Cortese, conductor
Anne-Marie
McDermott, piano
Laura Decher
Wayte, soprano
Rodrigo: Four Madrigals of Love
Mozart: Piano Concerto No. 20 in D, K. 466
Beethoven: Symphony No. 8 in F Major
Program notes
Concert sponsors
Watkinson Laird Rubenstein Baldwin & Burgess, P.C., Attorneys at
Law,
Linda C. Bullock, D.M.D., General Dentistry and the Schellman family
Anne-Marie McDermott sponsors
Wells Fargo Bank and the Hult Endowment Subfund of the Arts Foundation of
Western Oregon Fund of the Oregon
Community Foundation
Laura Decher Wayte sponsors Susan Keith and Jeanne Perry
Anne-Marie McDermott Recital
Please note the special recital at 7:30 Thursday, October
30 at Beall Concert Hall on the University of Oregon campus.
Internationally renowned pianist
Anne-Marie McDermott has
appeared with the New York
Philharmonic, Atlanta, Baltimore,
Dallas, St. Louis, and many other
symphony orchestras. She is a long-time
member of The Chamber
Music Society of Lincoln Center,
and has collaborated with such arists
as the Guarneri String Quartet and
Nadja Salerno-Sonnenberg. Her
numerous recital engagements have
included New York’s 92nd Street Y
and Alice Tully Hall, the Kennedy Center and many national
and international music festivals. The highlight of her Beall Hall
program is Bach’s Goldberg Variations.
Program TBA
Anne-Marie McDermott residency made possible by the Nils and Jewel Hult
Endowment—Arts Foundation of Western Oregon fund of the Oregon
Community Foundation
Candlelight Concert
Baroque for the Holidays VI
Sunday, December 7 and Monday,
December 8 — 7:30 p.m. First Christian Church, 1166 Oak Street
Welcome the holiday season with one of Eugene’s favorite
musical traditions. This year’s concert by candlelight celebrates
the Baroque suite with music fit for a king. In the case of the Water
Music Suite, that’s Britain’s King George I, who commissioned
the music for a barge trip down the Thames. Bach’s delightful
first orchestral suite is thought to have been written for the court
at Anhalt-Cöthen. 20th-Century composer Ottorino Respighi
orchestrated lute music of the late 16th and early 17th centuries
to create his charming Ancient Airs and Dances.
Glen Cortese, conductor
Respighi: Ancient Airs and Dances, Suite No. 3
Bach: Orchestral Suite No. 1
Handel: Suite No. 1 in F from “Water Music”
Program notes
Concert sponsors The Register
Guard and Tom Ing & Nonnie Cole
Concert 4
English Trifle
Saturday, January 10 — 8:00 p.m. Soreng Theater
Sunday, January 11 — 2:30 p.m. Beall Concert Hall
Like the famous dessert, our English Trifle concert is a delicious,
multi-layered concoction. Gustav Holst’s suite for strings is
imbued with the spirit of folk songs. OMP Concertmaster Alice
Blankenship carries our spirits aloft in the beautiful lyricism of
Vaughan Williams’s classic. Mozart’s first symphony was written
during a visit to London as a celebrated wunderkind, and the
string section shines again in Elgar’s lush Serenade. Haydn’s final
symphony, the “London,” concludes the program.
Glen Cortese, conductor
Alice Blankenship, violin
Holst: Brook Green Suite
Vaughan Williams: The Lark Ascending
Mozart: Symphony No. 1 in E-flat Major K. 16
Elgar: Serenade, Op. 20 in E Minor
Haydn: Symphony No. 104 in D Major (London)
Program notes
Concert sponsors Umpqua Bank and
Linda C. Bullock, D.M.D., General Dentistry
Concert 5
All Amadeus
Saturday, February 28 — 8:00 p.m. Soreng Theater
Sunday, March 1— 2:30 p.m. Soreng Theater
Our annual tribute to Mozart is an audience favorite. We begin
with his light-hearted Divertimento No. 11, thought to have
been dedicated to his sister, Nannerl. Bach Festival favorite Allan
Vogel, one of the world’s great oboists, joins OMP in one of
the best loved compositions for that instrument. The program
concludes with one of Mozart’s best-known Sturm und Drang
symphonies, the first movement of which was used to set the
tone in the film Amadeus.
Glen Cortese, conductor
Allan Vogel, oboe
Divertimento No. 11 in D Major K. 251
Concerto for Oboe in C Major K. 314
Symphony No. 25 in G Minor K. 183
Program notes are not yet available.
Concert sponsors Peter and Margaret Gontrum
Artist sponsor Smith
Barney
Concert 6
First Things First
Saturday, May 2 — 8:00 p.m. Soreng Theater
Sunday, May 3 — 2:30 p.m. Soreng Theater
Our season finale features works that are “first of their kind”
for their respective composers. The overture to Mozart’s first
singspiel provides a playful and unpretentious foretaste of the
operatic masterpieces to come. Villa Lobos’s first sinfonietta,
dedicated to Mozart’s memory, is written on a Mozartean scale.
Mendelssohn’s first concerto for piano and full orchestra features
award-winning pianist Tien Hsieh. The final work on the program,
Schubert’s first symphony, already shows the lyricism for which
he would become famous.
Glen Cortese, conductor
Tien Hsieh, piano
Mozart: Overture to “Bastien and Bastienne”
Villa Lobos: Sinfonietta No. 1 in B-flat Major
(A mémoria de Mozart)
Mendelssohn: Piano Concerto No. 1 in G Minor
Schubert: Symphony No. 1 in D Major
Program notes are not yet available.
Concert sponsor
Merrill Lynch
Tien Hsieh Recital
Please note the special recital at 7:30 Thursday,
April 30
at the Wildish Community Theater in Springfield.
As one reviewer recently said,
“Serious, composed, tiny and full of
music, Tien Hsieh lets her artistry
on the piano express a warmth and
freshness of ideas that none but a
poet could explain.” Another wrote
that she “delivered electrifying
performances of music of
monumental difficulty.” Winner of
numerous prizes and awards, Tien
Hsieh has appeared in scores of
recitals in this country and around
the world. She will present a thrilling
all-Liszt program in Springfield’s
intimate Wildish Community Theater.
Program TBA
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